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Wow...WOW. This poem really knocks the idea of madness as a 'dangerous gift' out of the park! The power and potential of poetry to embody the human condition is implicit in the lines: "What's madness but nobility of soul, At odds with circumstance?" This poem does not set out to romanticize madness, but move away from pathologizing it as a disease of the mind and recognizing it (largely) as a reflection of a social condition. Madness does not exist in a vacuum. Trauma plays a huge part in stoking one feeling "at odds..."

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"What's madness but nobility of soul

At odds with circumstance?"

Now THIS - love this. Reminds me of a line in Lila, Pirsig's follow-up to Zen & the Art of Motorcycle Maintenance:

"Ask, 'If there were only one person in the world, is there any way he could be insane?' Insanity always exists in relation to others. It is a social and intellectual deviation, not a biological deviation. The only test for insanity in a court of law or anywhere else is conformity to a cultural status quo. That is why the psychotic profession bears such resemblance to the old priesthoods. Both use physical restraint and abuse as ways of enforcing the status quo."

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I notice that I wrote 'psychotic' instead of 'psychiatric,' in the second to last sentence. I'm going to leave the typo, since Freud would say this is a 'malapropism' that reflects my deeper belief about psychiatry in general.

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Brilliant. For today. A piece of very serious music.

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"What I is I?" he asks. The existential question. The shadow or the light. I live between the heron and the wren, and those final two lines. Brilliant.

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"The mind enters itself, and God the mind,

And one is One, free in the tearing wind." bang bang

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It's a great piece of music. Each time you read it you hear even more.

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Poetic outlaws, can I ask, what is the copyright on a subscription base where you publish other writers work? Love this page

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