van Gogh, can you tell me how many martyrs does it take to open up a blood bank van Gogh, can you tell me where does beauty go when it dies? van Gogh, can you tell me why saints live on car exhaust and are lonely as crushed acorns while enormous suppurating blisters of men sleep on beds made of dollars, their pillows the breasts of fantastic women van Gogh, can you tell me you who made paint scream who drew the expressions of the wind and portrayed leaves and stars writhing in agony as though they were human tell me which of the satellites circling the earth is mine how many pairs of shoes does it take to walk to infinity do you believe the world will ever learn how to cry in unison van Gogh, with your skin like scorched leather from too much time spent in the wheatfields on your knees, shooting dice with God over who gets to color sunset didn't you ever feel like an asshole incapable of self-preservation always crossing at the end van Gogh, can you tell me as the sun comes down around my ears in chunks today as hummingbirds hover at my window cursing me in tiny voices why roads drag you down them how you are finding light in Paradise and if you have your own easel or if God allows you to paint on the sky
You can find this poem in David Lerner’s — The Last Five Miles to Grace — and his other published works at Zeitgeist Press.
“Lerner was a broken-down saint if there ever was one. He was an eloquent screamer, a soft-spoken rageoholic, a madman with a great manuscript. His poetry will always be a reminder of a time when poetry in the Mission was spontaneous, magical, and more than a little bit dangerous.” — Bucky Sinister, San Francisco Bay Guardian
Great. Very David L-- only the tortured get to heaven or at least the only heaven worth getting to. Gotta be an homage or at least a companion piece to Bob Kaufman's poem "Camus, I want to know"
Wonderful poem, but please correct final line's first word; Of should be Or, unless Lerner intended a close that seems awkward in its phrasing. If I'm wrong, so be it, but it stole some of the poem's power for me with a grammatical distraction at the end. Thanks for listening.