I Lord, I’m fed up with the busy spiders and their tenuous spit of thought, who, lacking the stuff for a quarto, lose tenure and lecture appointments. They fatten their purses by spreading confusion among wide-eyed gudgeons. They see nothing but their own grimacing faces in a delirium of mirrors. most of all I suspect the rare sincere ones: the pale moon-masters with eyes like well-lights. What on earth are they saying? Their whispers faint in the distance. II Listen, my beloved son: I worked all my life like a dray-horse. This house and a measure of savings will cushion your future; but if ever I see you moon-struck with a notion to write a paper on Whither This? or The Future of Something, so help me, I will leave my possessions to a Society of Simplified Spelling or some such fuddle. Dear offspring, take up wine, venery, gaming— not theorists, not dialecticians!
Thanks to a reader, I just came across the poetry of William Pillin. Unfortunately, most of his works are out of print. But he’s an amazing poet who deserves a wider readership. I did find a used edition of his collected works at Abebooks.
William Pillin (1910–1985) was an American poet known for his lyrical and often introspective verse. Born in Odessa, Ukraine, Pillin immigrated to the United States with his family as a child, settling in Cleveland, Ohio.
Pillin's poetry was characterized by its emotional depth, simplicity, and exploration of themes such as memory, identity, and the passage of time. His work was published in various literary journals and magazines, and he gained recognition in the mid-20th century for his distinctive voice.
Though little known today, William Pillin was respected among his contemporaries for his contributions to American poetry. His work remains appreciated by those who study mid-20th century American verse, particularly for its emotional honesty and lyrical beauty.
I can instantly see the advantage of having William Pillin as a father. Not only does he readily give his son advice on who to pay no heed to in this world, but he also gives him this rather unusual alternative:
'Dear offspring,
take up wine, venery, gaming—
not theorists, not dialecticians!'
Rimbaud and Bukowski might have been happy with him!
A Priori
The beautiful is in my mind
before I see the twisted stone,
before the perfect phrase I find
or hear the spinet's slender tone:
anticipate the swift concerto
or tints of luminescent paint,
identity in faded quarto
the secret of a happy saint.
The beautiful assaults the soul
in a perpetual love and anger
to make it elegantly whole,
objectify the radiant hunger:
as when the kindled fingertips
play supple preludes to desire
the beautiful is in my lips
before her breath, before her fire
William Pillin