“…if he is an artist, he will be compelled to make sacrifices which worldly people find absurd and unnecessary. In following the inner light he will inevitably choose… poverty. And, if he has in him the makings of a great artist, he may renounce everything, even his art.”
~ Henry Miller
Disillusioned but alive, he saunters slowly through the haze of hysteria in an age of a pretentious outrage. He’s a man these days who communes more with the dead than the living, a man who finds more beauty in the shadows than the light, a man with empty pockets and a loaded soul — an offbeat dreamer, an artist a malcontent condemned to the eternal fire of his poetic defiance. In the petty hours of the light, he holds his cards close to his chest and does his best to compromise with what’s been given. His hat sits low to disguise the eyes of an exile, forever roving the forlorn streets of a hijacked future alone the tide of his ancient blood ebbing beneath disintegrating flesh. Most nights, you’ll find him in his old shack on the outskirts of the civilized world sitting in the mushroom glow of a midnight candle with a vintage hardback in his hands. When he reads he no longer agrees or disagrees with the sentiments of the dead. He’s at ease among words, a curious spectator stirred by the lyrical upchuck of the collective unconscious. The priests and pundits and academics are no longer served by his attention. He’d rather meditate on the paintings of Van Gogh, Hopper, and Andrew Wyeth than to castrate his senses with the senseless sermons of the day. The bloodless lust of the over-civilized eye had always sickened him — their idolatry of appearances, their exaggerations of purity, their incessant need for glittering illusions to go on living. Never re-examining the underlying deceptions that sustain their lives, they live in the clutches of cliches, their voices dull and tremulous, their minds easily susceptible to the assault of the most ludicrous demagoguery. He owns very little and holds no delusions of duty and status and causes. Out of his deliberate austerity he’s bestowed the ultimate silence needed to create perilously from the deepest crevices of his ancient soul, transforming dream to flesh, triumphing over the manufactured illusions of a frantic era. Possessed by some daemonic being higher than himself, there he is, alone, as the world burns, working in the dark, forging in the shadows, stretching his sensibilities to the brink of madness, divulging his whole soul to the destructive force of reality, beautifying the lies that lead to the ultimate truth. He’s the awakener, the emancipator, a defector of the human race. He’s an artist.
Thanks so much for reading. You can find me around the internet at the following: Medium: https://medium.com/@erikrittenberry Facebook: https://www.facebook.com/erik.rittenberry Instagram: https://www.instagram.com/erik_rittenberry/
My work and research I put into this Substack Page are entirely reader-supported. If you enjoy the content I provide and are not ready to become a paid subscriber, you can simply make a one-time donation here at Buy Me A Coffee. If you can. I appreciate each one of you who follows this page. You all truly made it into a magical little online community. Thank You.
I like the idea of the artist as someone with 'a loaded soul'. This probably makes him as dangerous to those in power as someone with a loaded gun because he is a threat to capitalism and their whole way of being in the world.
I really resonate with the part about communing more with spirits than people. That's the life of an artist to me for sure.